Vila Punta. Vila Punta.

Parcela je strma i okrenuta jugozapadu — kakav i mora biti dobar hvarski teren. Umjesto da padinu poravnamo u jedan veliki kvadar, raščlanili smo program u nekoliko nižih kamenih volumena koji se kaskadno spuštaju niz kosinu i prate je umjesto da joj se suprotstave. Tako nijedan dio kuće ne zaklanja drugome pogled, a cijela građevina ostaje niska, tiha i upisana u krajolik kao da je oduvijek tu. The plot is steep and faces south-west — exactly what good Hvar terrain should be. Rather than flattening the slope into one large block, we broke the programme into several lower stone volumes that cascade down the incline and follow it instead of fighting it. No part of the house blocks another's view, and the whole building stays low, quiet and written into the landscape as if it had always been there.

Volumene povezuju vanjski atriji — natkriveni prolazi, sjenovita dvorišta i kamene terase u kojima se boravi jednako kao i u zatvorenim prostorima. Granica između unutra i vani namjerno je zamućena: velika klizna stakla potpuno nestaju u zidovima, pa se dnevni boravak ljeti pretvara u natkrivenu lođu otvorenu prema bazenu i pučini. Infinity bazen postavljen je na samom rubu platoa tako da se njegova površina spaja s morem u jednoj liniji — voda, voda, obzor. The volumes are linked by outdoor atriums — covered passages, shaded courtyards and stone terraces meant to be lived in just like the indoor rooms. The boundary between inside and out is deliberately blurred: large sliding glass panels disappear entirely into the walls, so in summer the living room becomes a covered loggia open to the pool and the open sea. The infinity pool sits right at the edge of the plateau, its surface meeting the sea in a single line — water, water, horizon.

Materijali su dosljedni i lokalni. Nosivi zidovi obloženi su domaćim kamenom suhozidne teksture koji kroz dan mijenja boju sa svjetlom — od toplog meda u zoru do gotovo bijelog u podne. Iznutra ga uravnotežuju glatka brušena žbuka, hrastovi podovi i ugrađeni namještaj od masiva. Duboke strehe i kamene rebrenice štite od ljetnog sunca pod visokim kutom, dok zimsko, nisko sunce slobodno ulazi duboko u prostor i grije masu poda — pasivna strategija koja kuću drži ugodnom bez pretjeranog oslanjanja na tehniku. The materials are consistent and local. The load-bearing walls are clad in regional drystone-textured stone that shifts colour with the light through the day — from warm honey at dawn to almost white at noon. Inside, it is balanced by smooth polished plaster, oak floors and solid-timber built-in furniture. Deep eaves and stone louvres shade the high summer sun, while the low winter sun is let in deep to warm the thermal mass of the floor — a passive strategy that keeps the house comfortable without leaning too hard on machinery.

Najveći izazov bila je privatnost. Susjedne parcele gledaju s viših kota, a vila je trebala biti i ljetna kuća za druženje i mirno zimsko utočište. Riješili smo to slojevito: visoki kameni zidovi i biljni paravani od mediteranskog raslinja zatvaraju poglede s kopnene strane, a svi glavni prostori otvaraju se isključivo prema moru. Rezultat je kuća koja je istovremeno potpuno otvorena i potpuno zaštićena — projektirana za ljeto i za zimu jednako. The biggest challenge was privacy. Neighbouring plots look down from higher ground, and the villa had to work as both a summer house for gathering and a calm winter retreat. We solved it in layers: high stone walls and planted screens of Mediterranean greenery close off the views from the land side, while every main room opens solely toward the sea. The result is a house that is at once fully open and fully sheltered — designed for summer and winter alike.